Not every year, but most, I choose a writer and focus upon him or her for the year. Or as Pam would say, “I become obsessed.” I will immerse myself in his or her works and read various biographies. In the past I have focused on writers such as Thomas Hardy, Frederick Buechner, Robertson Davies, John Irving, Walker Percy, or Flannery O’Connor. This is the year of Herman Melville.
I have been reading Hershel Parker’s two-volume work Herman Melville: A Biography, Volume 1 (1819-1851), Volume 2 (1851-1891). Each volume is a 1000 pages. Reading these volumes makes reading Moby-Dick seem like reading a Little Golden Book. I feel like I know more about Herman than his own mother must have known.
Parker draws his research from the letters of the Melville family, newspaper reviews of Melville’s book, diaries, and from the assorted ephemeral that is the natural habitat of biographers and historians. He also utilizes the personal books Herman Melville had in his library. Melville had the habit of writing annotations in the margins and on the flyleaf. He would mark texts and highlight passages. Parker noted that Melville practiced this art also in his Bible. This intrigued the Bible scholar in me. I had no idea that Melville’s Bible, purchased in 1849, was extant and available for scholars to study. I am always interested in the passages to which individuals gravitate when marking and annotating their Bibles. These colophons are often tiny revealing windows. Below is a sample from one of my Bibles.
I thought it would be interesting to examine Melville’s annotation, but alas, how could I get access to his Bible? Surely this Bible was under lock and key somewhere remote from Kansas City. (Actually, it is located in the Houghton Library on the Harvard University campus). So I googled, “Melville’s Bible,” and miracle of miracles, his whole Bible (the New Testament and Psalms) is digitized and available online. Thank you Al Gore for inventing the Internet! Here is the website: http://melvillesmarginalia.org/tool.php?id=14&f=i
One interesting aspect of his Bible is that some annotations are erased. (Melville made his annotations in pencil). It is likely that his wife, Elizabeth (Lizzie, 1822-1906), made liberal use of the eraser after Herman’s death in 1891. During his lifetime, Melville’s neighbors, critics, and even some family members considered his thinking and writings as almost sacrilegious if not blasphemous. As anyone who has read Melville knows, he was steeped in the Bible and had great acumen as a layperson in reading the Bible and juxtaposing its context and content with his narrative plots. Biblical illusions are woven throughout his works; this is reason I like Moby-Dick so much. From my reading, Melville was a creative critic of placebo Christianity, which did not sit well with the religious purveyors of pietism in that age.
Below is one of Melville’s annotations on Romans 14:22, “Hast thou faith? Have it to thyself.” His comment: “The only kind of faith—one’s own.”
Look over Melville’s shoulder as he is marking his Bible.